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News: The West Wing’s Allison Janney Named Honorary Chair of 2018...

Allison Janney (The West Wing, and the Broadway revival of Six Degrees of Separation) is returning to Washington to lend her voice to support...

Review: ‘Hir’ at Woolly Mammoth Theatre Company

I recently came back from London, where I saw the National Theatre’s 25th anniversary production of Tony Kushner’s epic, Angels in America. I thought...

Magic Time!: ‘Off the Leash: A Journey Into Reality One Black...

After I watched eleven B.F.A. candidates in Howard University's Class of 2017 perform a program of self-scripted audition pieces—character-rich monodramas, actually—I had one overwhelming...

DCMetroTheaterArts’ Best of 2016 #14: Best Design in Professional and Community...

DCMetroTheaterArts’ Best of 2016 #14: Best Design in Professional and Community Theaters in DC/VA/MD Are: John Alexander for his lighting for Blackberry Winter at Forum Theatre. John Alexander...

DCMetroTheaterArts’ Best of 2016 #12: Best Direction of Plays in Professional...

Here are the DCMetroTheaterArts Staff's honorees for Best Direction of Plays in Professional Theaters in 2016. Congrats to all our honorees! THE BEST DIRECTION OF...

DCMetroTheaterArts’ Best of 2016 #9: Best Performances and Ensembles in Plays...

DCMetroTheaterArts’ Best of 2016 #9: Best Performances in Musicals in Professional Theaters in DC, MD, and VA Are: Gassan Abbas in I Shall Not Hate at Mosaic...

Spine: The Second City’s ‘Black Side of the Moon’ at Woolly...

"We are not a monolith! We are not a monolith! We are not a monolith!" chanted the six-member cast at the start of Woolly...

Review: The Second City’s ‘Black Side of the Moon’ at Woolly...

The Second City’s Black Side of the Moon— the Chicago-based comedy troupe’s first foray into post-Obama politics—launched the holiday season this week with an...

Spine: ‘Straight White Men’ by Young Jean Lee at The Studio...

Young Jean Lee's theatre, entitled Young Jean Lee's Theater Company (2003-2016), was dedicated to producing "shows written and directed by Young Jean Lee." The...

Review: ‘Straight White Men’ at The Studio Theatre

In these jagged days immediately after the election, Studio Theatre’s richly revealing production of Straight White Men by Young Jean Lee is bracing, to say...

‘Getting to Know The Edge of the Universe Players 2’s ‘Pullman,...

Getting to Know the Play Pullman, WA by Young Jean Lee Reflections by Producer Bill Goodman, The Edge of the Universe Players 2. During the process of producing Pullman,...

Review: ‘The Trump Card’ at Woolly Mammoth Theatre Company

The Trump Card, an original solo performance by monologist extraordinaire Mike Daisey, is a searing punch in the gut to rival any leaked Access...

Magic Time! Mike Daisey on Playing ‘The Trump Card’ in the...

You might say The Trump Card keeps getting dealt one new hand after another. Since Mike Daisey’s monologue played to acclaim in August at...

‘Take A Bow’ Part 6: The Staff of DCMetroTheaterArts’ Favorite Spring/Summer...

Here’s Part 6 of the staff of DCMetroTheaterArts’ favorite Spring/Summer 2016 performances. To our honorees: TAKE A BOW! ______ Hasani Allen as J.D. in Heathers at Red Branch...

‘Take A Bow’ Part 5: The Staff of DCMetroTheaterArts’ Favorite Spring/Summer...

Here’s Part 5 of the staff of DCMetroTheaterArts’ favorite Spring/Summer 2016 performances. To our honorees: TAKE A BOW! Paula Arcila in Miss Cuarenta at GALA Hispanic Theatre. Paula Arcila,...

‘Take A Bow’ Part 4: The Staff of DCMetroTheaterArts’ Favorite Spring/Summer...

Here’s Part 4 of the staff of DCMetroTheaterArts’ favorite Spring/Summer 2016 performances. To our honorees: TAKE A BOW! Kestrel Coffee as Jessie in Rain Follows the Plow at...

‘Take A Bow’ Part 1: The Staff of DCMetroTheaterArts’ Favorite Spring/Summer...

Here's Part 1 of the staff of DCMetroTheaterArts' favorite Spring/Summer 2016 performances. To our honorees:  TAKE A BOW! Stephanie Atha as Winifred and Sofia...

Review: ‘The Trump Card’ at Woolly Mammoth Theatre Company

Mike Daisey knew full well why we came out to see The Trump Card. We were out for “red meat.” We wanted to hear...

Review: ‘The Nether’ at Woolly Mammoth Theatre Company

Imagine a place where you could be anything you ever dreamed of and do anything you desired in total anonymity and without fear of...

Review: ‘The Pillowman’ at Forum Theatre

Martin McDonagh, the erstwhile enfant terrible of millennial European drama who is now a staple of contemporary theatres across the globe, is the sort...

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